Eloise and Luc also say their travels around the world have helped shape their work. Navina Khatib was influenced by the landscape of Bolivia’s Salar de Uyuni, and her trip there marked a significant moment in her career. Natalie Christensen is inspired by the architecture and light of Santa Fe she says she wasn’t an artist until she moved to the Southwest. Soft falling dusk light at Seton Lake, BC © Ross Buswell 8. Quite a lot of people have written to me over the years to say they feel peaceful looking at my photos. “I quickly became known and received so much amazing feedback, which made me spend even more time on it. “One important step was sharing my pictures on Instagram for the first time in 2017,” Navina says. Sometimes, getting an outside perspective can help you notice patterns within your work you didn’t know were there. “Do what makes you happy and you feel confident about.” 7. Do what makes you happy and you feel confident about.” I wouldn’t pay too much attention to that. I have always felt annoyed by the endless digital vs. “I’ve always played around with analogue filters such as kaleidoscope lenses, foil, or transparent paper and used various layers and multiple exposure techniques. “Use all the digital and analogue tools at your disposal,” the Berlin-based artist Navina Khatib advises. The Valley by the Lake © Navina Khatib 6. It all confirmed to me that my ‘style’ was my artistic voice and I should continue to develop it.” The process involved choosing, sequencing, writing about, and printing my work, and then I prepared to meet with the reviewers and speak about it. The decision to apply and go through the process of getting ready for an event like that was a major turning point. “I did my first portfolio review in 2017. “They also showed me the importance of sequencing and talking about my work. “I was working with a couple of mentors at that time, and they asked questions that helped me see I was getting somewhere,” Natalie tells us. I want to feel something when I look at my images, and if I get too technical, I lose that aspect.” 3. “I had to teach myself to use a camera, and I taught myself the basics of post-processing, but that was the extent of it,” Natalie adds. I think it took me about eighteen months to find my style, and I was shooting for hours every day.ĭuring this initial part of the process, follow your gut and try not to get too wrapped up in the technical details those can come later. “I tried to emulate what I was most attracted to and so just practised and practised. “In the beginning, I took photos constantly and I looked at a lot of other photography work too,” the Santa Fe-based artist Natalie Christensen remembers. “Plus, once you become accustomed to this practice, you might realise the benefit of making your own presets for the sake of saving time, but still remember that each adjustment can be altered.” Once you’ve mastered these tools, you will learn their limits and bend them to work for you in your process.
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“I think what helped me a lot in understanding the multiple uses of each tool was playing with them, and if you have a hard time figuring it out, download a preset and move everything around-moving the curves, layers, switching blending modes, etc. After that, I moved on to understanding the given colours of leaves (by that, I mean the hues that the camera captures) and twisting them to becoming reds and purples or electric blues. I was studying all the various sunset palettes and taking them a step further, twisting them into neons and greens to mimic northern light skies. “My early experimentation included creating a lot of gradients in the horizon and skies.
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“Experimenting with various techniques within the software definitely played a big role in figuring out my style.” Experimenting with various techniques within the software definitely played a big role in figuring out my style. I have been practising this since day one. “Each image may look similar, but they were not processed the same. “I actually learned how the Curves adjustment worked from downloading presets to see what controlling each curve does, but always making sure to edit each adjustment manually during post-processing, from start to finish,” Mischelle tells us. Learn to post-process manually (at first)
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